Ne
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Paul King,Arif Nurmohamed,Dick Taylor,Jeff Wilkinson
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Neil Oliver returns to continue his epic story of how Britain and its people came to be, from the height of the Bronze Age through to the age of Iron, the Celts and the first kings to the age of Rome. Part 1: Age of Iron Part 2: Age of Warriors Part 3: Age of Invasion Part 4: Age of Romans
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Murray Lerner
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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乔纳斯·阿克伦德,Steven Klein
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踏入二千年以来,Madonna这位已「女人四十」的流行音乐天后似乎有一种愈战愈勇之势。2005年,Madonna在出版过一张以Future Disco为大前提的Confessions On A Dance Floor专辑(也是其第十张专辑)、重拾她的Dancing Queen / Queen Of Clubland姿态后,再引伸出是两款她的DVD录像出品:先是为其04年Reinvention Tour拍摄的纪录片I’m Going To Tell You A Secret在去年面世,继而是在这个07年初推出的现场演出影片The Confessions Tour。两者同是由合作多时的Jonas Akerlund执导摄製。她的乐迷绝对不愁寂寞吧。 在The Confessions Tour内,收录了Madonna在2006年的Confessions Tour世界性巡迴演出在英国伦敦Wembley Arena举行的一站,共三场音乐会,最后一晚(8月16日)演出,正是她的四十八岁生辰,故也别有纪念性意义。 早已得悉她的Confessions Tour是何等精采绝伦。而毋庸置疑,这张The Confessions Tour的DVD,亦是那么叫人为之目不遐给。变化多端的舞台(包括令到由Stuart Price担任音乐总监的伴奏乐团可以「神出鬼没」),精湛而慑人的录像投射,加上舞蹈员的配合,达至每首歌曲的表演皆有不同的Setting配套。现在在DVD里,又不时重新将本来的录像投射与舞台的画面加以重迭,效果更嘆为观止。后期製作的出色乃毋庸置疑。 开场曲Future Lovers跟重玩Donna Summer的1977年Euro-Disco名曲I Feel Love水乳交融而来,加上身穿骑马服的Madonna与舞蹈员带来充满S&M意味的演出,已够先声夺人。每首歌曲,都附上不同的舞台表演环节,如Like A Virgin里的「骑马舞」,Jump里舞蹈员的体操舞蹈,Confessions的舞蹈员读白,Live To Tell里那备受争议的钉十字架场面(背后的数字是要道出在非洲爱滋病令到一千二百万名儿童成为孤儿并带出连串关注非洲儿童的信息再以马太福音作结——为音乐会最触动心灵、发人深省的一曲),Forbidden Love的两男一女「缠手舞」,Isaac的号角前奏,Sorry把舞台变成街头,Music Inferno的滚轴溜冰,在视觉上已令人留下深刻印象。 音乐会里有三首歌曲可看到Madonna弹奏结他。玩出I Love New York这首Disco-Punk曲目的时候,她背著电结他出场带来介乎The Stooges与Post-Punk式之间的结他Riff与製造Feedback,台上投映出纽约市曼哈顿的空中轮廓线,非常之酷;未段Madonna不断敲打结他时,镜头便做出地动山摇的效果,甚为震憾呢。跟著再玩了Ray Of Light。后来她又弹奏木结他与Issac Sinwani合唱Paradise (Not For Me)。来到尾段,便玩尽劲歌热舞的主题。在Erotica时娜姐换上白色紧身舞衣出场,La Isla Bonita在流丽的Flamenco结他下她大喊”It’s time to put on your dancing shoes!”把舞台变成狂热舞会;Lucky Star娜姐在紧身舞衣上披上印有”Dancing Queen”字样斗篷先向Abba致敬,末段已穿插著Abba的79年名曲Gimme!Gimme!Gimme!(A Man After Midnight)的前奏Sample,随即便引伸出结幕曲Hung Up,亦成为整场音乐会的高潮位,全场大合唱:”Time goes by….so slowly”。 Stuart Price(aka Jacques Lu Cont)的音乐总监角色固然功不可没,经他重新编曲下,为Madonna的歌曲重新注入舞池动能,甚至像Like A Virgin和Lucky Star等廿三、四年前的曲目,都变身成摩登的Electro-Disco House舞曲。1983、84年,Madonna初露锋芒的年代,小Stuart才得六、七岁咋。 专辑曲目: 1.Future Lovers 2.Get Together 3.Like a Virgin 4.Jump 5.Live to Tell 6.Forbidden Love 7.Isaac 8.Sorry 9.Like It Or Not 10.Sorry (remix) 11.I Love New York 12.Let It Will Be 13.Ray of Light 14.Drowned World/Substitute for Love 15.Paradise [Not For Me] 16.Music 17.La Isla Bonita 18.Erotica/You Thrill Me 19.Lucky Star 20.Hung Up
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Historian Dr Micheál Ó Siochrú presents award-winning director Maurice Sweeney’s gripping docudrama, which re-evaluates the role and character of England’s most influential democrat. Cromwell: God’s Executioner has drama, excitement and action, combined with a poignant reflection on the horrors of war. If you thought you knew Cromwell, think again.
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Andrew Downes,蒂姆·尼尔
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第一集:最后的自由 苏格兰的形成;以及之后苏格兰人在“布鲁南伯尔战役”(BattleofBrunanburh)中的历史作用,威塞克斯王朝的阿特尔斯坦(Athelstan)在此役中击败以苏格兰王康斯坦丁二世(ConstantineIIofScotland)为首的联军,之后自称“不列颠大王”,从而奠定了不列颠的雏形。 第二集:苏格兰之锤 苏格兰历史上两位杰出人物亚历山大二世(AlexanderII)与威廉·华莱士(WilliamWallace),锤炼了苏格兰的民族意识,将盖尔人的古国塑造成了苏格兰。 第三集:主教成就国王 苏格兰国王罗伯特一世(RoberttheBruce,1306-1329在位)为苏格兰独立而奋斗,苏格兰的教会也在国内外展开宣传攻势。最终1320年的《阿布罗斯宣言》(DeclarationofArbroath)促使教皇承认了苏格兰作为独立国家的地位。 第四集:语言就是力量 盖尔人和盖尔语曾经是苏格兰人民族认同的核心,但是一场家族争斗造成了众所周知的“高地”与“低地”的区分。15世纪斯图尔特家族(Stewartroyalfamily)的政策使盖尔人被视作外来人和叛乱者。 第五集:不列颠计划 斯图亚特(Stuart)王朝两位君主的野心是使曾经的宿敌合而为一并走向现代不列颠的决定性力量。苏格兰玛丽女王还只是阴谋夺取伊丽莎白一世的王权,她的儿子詹姆士则有着更为激进的梦想。
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Mike Connolly,Niamh Sammon,Simon Chu,Luke McMahon
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它的主持人是《英国古代史》的主持人,用略带口音的英语把爱尔兰惊心动魄的千年历史娓娓道来...这个系列做的有新意,旨在打破人们对爱尔兰的固有偏见,认为爱尔兰系单一民族,单一文化,单一信仰的岛国。 第一集 入侵时代 讲了盎格鲁诺曼征服之前的爱尔兰古代世界,那时爱尔兰与世界密切相连,其民族由不同的入侵和移居种族杂合而成,绝非单一的凯尔特族。其文化也因此兼收并蓄,海纳百川。确实令人意想不到。 第二集 征服时代 这一段是从英裔诺曼征服爱尔兰到奥尼尔伯爵造反被镇压跨度400年的故事。盖尔人,英裔诺曼人,伊丽莎白时代英国人,天主教西班牙人,几股势力纠缠打斗在一起,构成了故事的主线。 第三集 革命时代 这一集从17世纪初苏格兰新教徒殖民贝尔法斯特讲起,至1798年爱尔兰人联合会起义失败收尾。是爱尔兰历史上一段天主教势力瓦解,新教徒掌权的故事。200年里,爱尔兰历经两次天主教起义,天主教权贵下台后的100多年新教统治和一次天主教徒和新教徒的联合起义,成为了诸如克伦威尔,威廉三世,詹姆斯二世这些叱咤风云的历史人物的舞台。短短2个世纪里,各种事件此起彼伏,各种矛盾交织,各种团体林立,各种关系错综复杂,令人眼花缭乱。
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Neil Oliver tells the epic story of how Britain and its people came to be over thousands of years of ancient history - the beginnings of our world forged in ice, stone, and bronze A History Of Ancient Britain will turn the spotlight onto the very beginning of Britain’s story. From the last retreat of the glaciers 12,000 years ago, until the departure of the Roman Empire in the Fifth Century AD this epic series will reveal how and why these islands and nations of ours developed as they did and why we have become the people we are today. The first series transmits in early 2011 and there will be a following series in 2012. 第二季将于明年制作播出……
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Nicky Pattison
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Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love. Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters. Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father. Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died. Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
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Andrew Downes,Colin Murray,Colin Murray
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A history of Scotland is, like as the name says, about Scotland's history. The first episode takes us through how Scotland was created and why its role in one of the greatest wars helped define Britain in the modern era. The second episode revolves around two front figures in Scottish history, Alexander II and William Wallace, and how they shaped Scotland. Episode three takes us to Robert The Bruce and his fight for Scottish independence and how the church promoted his cause. Episode four takes us to how the Stewart's caused a divide in Scotland between the Highlands and the Lowlands. And episode five revolves around the unification of Scotland and Britain during the reign of Mary Queen Of Scots.
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Ted Kenney
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专辑曲目 01. Britney Spears – Femme Fatale Video Vignette (02:17) 02. Britney Spears – Hold It Against Me (Live) (04:33) 03. Britney Spears – Up N’ Down (Live) (03:40) 04. Britney Spears – 3 (Live) (03:56) 05. Britney Spears – Piece Of Me (Live) (01:35) 06. Britney Spears – Sweet Seduction Video Vignette (02:35) 07. Britney Spears – Big Fat Bass (Feat. Will.i am) (Live) (04:08) 08. Britney Spears – How I Roll (Live) (03:38) 09. Britney Spears – Lace & Leather (Live) (03:14) 10. Britney Spears – If U Seek Amy (Live) (03:47) 11. Britney Spears – Temptress Video Vignette (02:24) 12. Britney Spears – Gimme More (Live) (03:28) 13. Britney Spears – (Drop Dead) Beautiful (Feat. Sabi) (Live) (03:47) 14. Britney Spears – Don’t Let Me Be The Last To Know (Live) (03:26) 15. Britney Spears – Boys (Live) (04:01) 16. Britney Spears – Code Name: Trouble Video Vignette (02:03) 17. Britney Spears – …Baby One More Time (Live) (01:36) 18. Britney Spears – S&M (Live) (02:03) 19. Britney Spears – Trouble For Me (Live) (03:04) 20. Britney Spears – I’m A Slave 4 U (Live) (03:12) 21. Britney Spears – I Wanna Go (Live) (04:01) 22. Britney Spears – Womanizer (Live) (04:44) 23. Britney Spears – Sexy Assassin Video Vignette (01:45) 24. Britney Spears – Toxic (Live) (04:57) 25. Britney Spears – Till The World Ends (Feat. Nicki Minaj) (Live Remix) (05:07)
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Gary Miller
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Cardi B performs at this year's AVN Awards. The ceremony celebrates the biggest names in the adult entertainment industry and includes comedy segments along with an insider's look into the industry's premier trade show and expo.
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蒂娜·马布里,巴里·詹金斯,贾斯汀·西米恩
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《亲爱的白种人》是一部反映美国“后种族歧视”时代的讽刺喜剧,故事发生在一所知名的常春藤大学,平静的表面下藏着激烈的种族矛盾,学生们既要寻找身份认同,又要培养独特个性,而这也是一个普世议题。这部讽刺剧集延续了 2014 年备受赞誉的同名电影的故事,跟随温彻斯特大学的一群黑人学生展开一幅幅关于社会不公、文化偏见、政治正确(或缺少政治正确)和被误导的激进主义的千禧年画卷。《亲爱的白种人》通过荒诞的视角,用尖锐的讽刺、幽默自嘲和略显残酷的坦诚态度反映困扰当今社会的问题,欢笑始终贯穿其中。
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乌塔·布里兹维茨,南森·霍普
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CBS的《#犯罪现场调查# CSI: Crime Scene Investigation》事续篇剧现在定名为《犯罪现场调查:维加斯 CSI: Vegas》,并有Paula Newsome﹑Matt Lauria及Mel Rodriguez加盟。 过去William Petersen及Jorja Fox已经与剧组在谈判中,报导指会是两位旧人带上新角色(Maxine﹑Josh﹑Allie﹑Chris及Hugo)。消息源指Paula Newsome饰演Maxine,她是鉴证实验室的新主管,亦遗传学领域的领头羊。有一个鸦片类药物成瘾问题的儿子。 曾经在母剧演了3集的Matt Lauria会饰演另一角色Josh,是CSI第三级首席调查员,来自一个骗徒家庭﹑Mel Rodriguez饰演首席验尸官,太平间对他来说是快乐泉源。 此剧由CBS TV Studios及Jerry Bruckheimer TV制作,Jason Tracey负责执笔此项目。
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Anthony E. Zuiker
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随着第四季最后一个画面落幕,CSI NY的观众们开始咬牙切齿的期待第五季。Mac被抓为人质,生死未卜;银行劫案真相未明,迷雾重重。 然后,然后,21秒的官方PROMO放出,咬牙切齿的观众在看过模糊不清、线索繁多的预告片后……牙都咬碎了…… 现在,你我和TA们的等待已经结束,CSI 纽约篇,第五季,带来的不仅是解“惑”解“馋”的45分钟,而是将在未来的八个月时间里,每周都带来更新的冲击!在本季里,这个CSI三兄弟中最年轻,却也是发展最快的“纽约篇”将播出第100集,即本季第8集,在这集中,不但会有个把明星客串,还会通过一个连环杀手的眼睛,找寻纽约城所有的Mac Taylor。(一只兔子跳出来,站在纽约市街头大喊“Mac Taylor”,只见N多人回头,其中就有我们的警探。——某糕帮某兔子YY,请54……水喷到屏幕上的请擦乾……) 在本季里,Flack的妹妹将闪亮登场,“她是个坏女孩,非常年轻,非常漂亮,非常纽约,非常能惹麻烦。” 在本季里,Danny和Lindsay将继续纠纠缠缠,“Danny的身上会发生很多事,与Lindsay无关的事。但Lindsay依然与他的故事常有交集,与此同时,Lindsay将与别人相遇……” 在本季里,Mac与Stella将继续是大家长,他们也将展开各自的故事——“他们两个人都会有自己的爱情。这次,Stella相遇的对象,终于不再是个神经病了,这将会是一段非常认真的感情。“(起码现在编剧还这么打算) 在本季里,…… 其实,美国,纽约,CSI,Mac Taylor和Stella Bonasera,第五季,吸引你回来还需要更多的理由吗?






























